This is a roundup of early reviews for "You Can See Everything," Nathan Fielder and Lance Oppenheim's documentary about Elizabeth Holmes, which premiered at Telluride. Critics mostly agree the film is baffling and unsettling, with its real subject being how documentaries shape truth and how far Fielder's own behavior and assumptions come under scrutiny.

• Critics frame the film as a meditation on documentary ethics, with Alison Willmore arguing it questions what it means to call something nonfiction when editing and framing shape what viewers see.
• Manohla Dargis and Richard Brody both highlight Holmes's blinks, tears, and grip on truth as open questions, and say Fielder's probing turns back on himself, forcing him to revise his own assumptions.
• Reviewers praise the film's style and length: Adrian Horton calls it a masterpiece of who's playing who, and Amy Nicholson notes it runs nearly three hours without losing grip.